48 times a second
Peter Jackson has been explaining his decision to shoot The Hobbit: An Unexpected Journey in 3d High Frame Rate.
Sir Peter writes:
We live in a rapidly advancing digital age. Technology is being continually developed that can enhance and enrich the cinema-going experience. High Frame Rate shooting for a mainstream feature film has only become viable in the last year or two, and yet we live in an age of increasing home entertainment. I started shooting The Hobbit films in HFR because I wanted film audiences to experience just how remarkably immersive the theatrical cinema experience can be.
I think HFR is terrific. As a filmmaker, I try to make my movies immersive. I want to draw the audience out of their seats, and pull them into the adventure. That is the experience I hope to offer moviegoers no matter which format they choose at the theatre. While I personally prefer watching The Hobbit: An Unexpected Journey in HFR 3D, I can assure you that every format will provide you with an incredible and immersive experience.
Peter’s last sentence says it all. I have seen The Hobbit: An Unexpected Journey in all three formats - 3D High Frame Rate, 3D and 2D. What is so spacial about seeing a film likeThe Hobbit in the cinema is not the format but the shared experience that only a cinema can provide. From the intensely electric atmosphere that captivates the entire audience when Gollum appears, to the communal joy when Thorin Oakenshield finally accepts Bilbo Baggins into the company - this can only be experienced as part of a larger audience. This is the real magic of the cinema.