Trains and Transitions
Frame enlargement from this evening’s footage: the passing train adds the perfect atmosphere as Arapeta and Miriama walk back from their frightening experience at the castle, only to be apprehended by a youth gang.
Trains have always fascinated me. Indeed trains have proved significant characters in a number of my films. Trains were a symbol of departure and loss in one of my earliest films Andante and the dramatic climax of Phaedra’s Friend took place on the London Underground.
Back in Gisborne, I had shot some very atmospheric scenes of Shane Luke as the adult Arapeta wandering along a disused railway track when his life falls to pieces at the end of Amiri’s Child. Tonight’s scene will add unity to the locations as well as a dramatic transition between the scenes at Campbell Park and the youth gang sequence.
David Lean always maintained that: “good films can only be made by dedicated maniacs”. After a long and punishing day on location, camping out by the train track to get this elusive shot was definitely dedicated and, in the view of the cast, quite maniacal!